I can tell that something's bothering them and I sometimes feel like, okay, I guess I'll have to be the one to say something." "You know, people in the cast." He pauses. "I will always try to speak up when I feel like something's not right,” Sandoval says of his instinct to confront his castmates, even as the others stay quiet. “And I don't like that feeling." When popularity followed his awkward stage, he took on a white knight vibe, becoming “a bully to bullies." And on TV, his white knight vibe has been the catalyst for high drama, especially as the cast learned to navigate being followed by cameras and press. Sandoval says that he learned from being bullied, and from occasionally bullying others, as a preteen. The cast was noticeably, uncomfortably silent about their friends' choice, with one exception: Tom Sandoval, whose decision to confront Taylor about the pastor led to Sandoval's dismissal from (and eventual reinstatement into) the wedding party. It reached cacophony levels in the summer of 2019, while the current season was filming, when BuzzFeed reported that Sandoval's costars Jax Taylor and Brittany Cartwright planned to have an outspokenly homophobic pastor officiate their for-TV wedding. But in 2020, as the storylines changed from partying in feathered wings on a Pride float to getting married and buying houses, the cast’s increasingly tenuous relationship to their community has felt more and more exploitative.Īmong the show’s fanbase, which skews heavily female and gay male, murmurs of discontent with the show's representation, or lack thereof, started building in season six, which featured Billie Lee, a trans woman in a minor role that lasted only two seasons. Pride-even though the show has featured virtually no LGBT characters. The gayness of the world in which they worked was always there-a centerpiece of each season is the SUR staff's participation in L.A. And then there was the one in which Taylor-red-faced, sweaty, bulging-eyed-became furious with Sandoval for what Taylor perceived as social usurpery, and attempted to put Sandoval back in his place in the VPR pecking order by declaring, "You're not the number one guy in this group.
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There was the one where Stassi Schroeder cracked Kristen Doute across the face with a wallop of a backhand for sleeping with her ex, Jax Taylor and the time Katie Maloney, wife of Schwartz, hissed at him, "Let's talk about how your dick doesn't work," while test-driving a Porsche for Vanderpump. Their relationships led to fights those fights-sometimes physical, sometimes verbal, always meme-able-are legendary, and a big part of the show's appeal. Vanderpump Rules started in 2013, following a straight cast made up of real-life friends and coworkers who were messy in the way friends who date and party and jockey for position within their group can be. And as people increasingly question and push against antiquated notions of what it means to be a man-and as the show reckons with its place in 2020, firing four cast members involved in racist incidents-something strange has happened: The cartoonish star of a show about straights behaving badly in a gay playground became a compelling model for a kinder, gentler, more tolerant, and far more aggressively groomed brand of masculinity. He calls it being "extra AF." But there's something more zeitgeist-y, less just-for-camera, about his extraness. But as the seasons have gone on, eight of them so far, something more significant emerged about Tom Sandoval-he is seemingly unbound by the strictures of masculinity. He's flashy, and it's a lot of fun to watch.
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In an incredible display, he arrived at BravoCon in full drag. He effusively tells his male friends, "I love you," often through those tears. (It involves his ankles.) He cries openly and easily. He's unabashedly vain about his appearance in ways that men typically don't talk about he doesn't just tan-he has a tanning strategy.
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His showmanship, which is ridiculous and irresistibly watchable in that "Is this guy for real?!" reality TV way, is part of what makes him a compelling star.